‘The London Howlin’ Wolf Sessions’: When Clapton, the Stones, Winwood & Starr Helped Out a Blues Hero.Johnny Cash ‘The Life in Lyrics’ Book Due.Thomas Talks ‘Hooked on a Feeling,’ ‘Raindrops’ and the Bicycle Scene 1970: The Year in 50 Classic Rock Albums.Psychic air, whatever you want to call it. “I think I was picking those songs out of the air. “I don’t have a clue what most of that album is about,” Morrison said later of Veedon Fleece. No matter the approach, every track here is drenched with feeling and mysticism, and the marvelously sympathetic band - featuring many of the players heard on It’s Too Late to Stop Now, recorded the year prior - spurs Van to breathtaking vocal heights. On one hand, the LP finds him reaching for Celtic-soul transcendence on sprawling, dizzyingly gorgeous excursions like molasses-paced opener “Fair Play” and incantatory epic “You Don’t Pull No Punches, But You Don’t Push the River” on the other, it also demonstrates his sustained mastery of more straightforward folk-rock (“Bulbs”) and Moondance-style pop-R&B (“Comfort You”). Maybe better than any other album in his catalog, Veedon Fleece effortlessly bridges the divide between Morrison’s earthier, more genre-bound material and his expansive, poetic side. As Morrison heads deeper into his sixth decade as a performing artist, we survey his vast body of work. And he’s still stubbornly pursuing that exalted space where language breaks down - listen to the way he gradually climbs toward blissful abstraction in the second half of “Dark Night of the Soul,” a track from his 41st LP, Three Chords and the Truth. In his seventies, the Belfast-born Morrison has only grown more prolific. He’s firmly rooted in familiar genres - mainly blues, jazz, and R&B, fixations he’s never strayed from during his six-decade career- but his performances always have the potential to turn on a dime from mundane to transcendent once he starts releasing the words, improvising his way toward the hidden truth that underlies a given song. But maybe the single quality that sets him apart from any other singer-songwriter you might name as a peer is that act of reaching beyond language. Van Morrison’s actual voice is one in a million, a jaw-droppingly versatile instrument that can range from the most delicate croon to the roughest growl. “After it’s written, I release the words and every time I’m singing, I’m singing syllables. “The only time I actually work with words is when I’m writing a song,” he told Jonathan Cott. Speaking to Rolling Stone in 1978, Van Morrison came as close as he probably ever will to summing up the essence of his genius. We also recommend key tracks from other releases under the heading More Gems.

Rolling Stone’s Essential Albums survey an iconic artist’s discography, breaking down their finest LPs into three tiers: Must-Haves, Further Listening, and Going Deeper.

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